The upshot: I struggle to imagine a process whereby an obscure English children’s game somehow inspired gestural customs in Georgia, Egypt, Russia, and Iran within less than a century. It seems more reasonable to me that these customs might instead originate in an ancient Mediterranean tradition of apotropaic magic, or charms intended to combat bad luck.
There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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（二）开设科技相关通识课程。高校应发挥科教资源优势，开设科技相关通识课程，加强科学教育和人文教育融合，满足不同专业、不同学习阶段学生需求，促进大学生科学文化素质提升。鼓励高校间开展优质科技通识课程共建共享，推动跨校选课与学分互认，促进课程资源的互联互通。
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author = self._extract_text(soup.select_one(".author"))，详情可参考同城约会
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